gem cutting

The Art of Gem Cutting

I don’t begin with a finished gemstone. I begin with what the rough stone might become. As a gem cutter and lapidary artist, I work with each stone individually, shaping its natural colour, character and potential.

Person holding a small piece of blue-green mineral or gemstone between their fingers.
the rough stone

Every rough gemstone has its own story

I regularly return to Queensland to hand-pick rough Australian sapphires and, over the years, I’ve built close, personal relationships with independent miners, giving me access to some of the rarest and most exceptional sapphires available.

Back in my studios in London and Devon, I hand-cut and polish each stone myself. I take the time to understand the character of every sapphire, carefully working with its natural colour, inclusions and form to reveal its individual beauty.

That connection — from the mines where the stones are found to the finished gem — is at the heart of my work. It allows me to create truly one-of-a-kind jewellery that celebrates the exceptional character and beauty of Australian sapphires.

Blue and green sea glass pieces scattered on a sunlit wooden surface
Blue and green sea glass pieces scattered on a sunlit wooden surface
CUT BY HAND

From rough gemstone to finished stone, every cut is considered individually

THE ART OF THE CUT

The art of freeform gem cutting

I don’t begin with a predetermined shape. I begin with the stone.

Each piece of rough gemstone has its own character, colour and potential, and I develop the cut around what I find within it. My freeform shapes allow me to work with the natural qualities of the stone rather than forcing it into a conventional form.

I hand-cut and polish every stone myself, making decisions throughout the process to bring out its individual character, depth and light.

The result is a cut that is entirely its own, shaped by the stone, rather than imposed upon it.

Close-up of a man with glasses holding a metallic tool with a yellow and green component, focusing on the tool.
THE LIGHT

The cut is there to reveal the colour

A clear, faceted diamond with rainbow reflections on a dark gray surface and background.
A blue gemstone with a complex faceted cut, reflected on a smooth surface with a dark background.
A bright yellow-green faceted gemstone on a dark background.
A cut blue gemstone, shaped as a triangular prism, resting on a reflective surface against a black background.
Blue crystal prism with sharp edges, standing on a reflective surface against a black background.

From gem

Freeform Australian sapphire cut and set into a bespoke gold ring by Mark Nuell

To jewel

“Mark cuts sapphires to display the natural beauty of yellow-, green- and part-coloured gemstones, which have not been tampered with by man.”

- Joanna Hardy, British Fine Jewellery Specialist for The Goldsmith’s Review

Nothing is

pre-determined